Saturday, March 28, 2009

I finished...A Moon for the Misbegotten

a moon for the misbegotten, by eugene o'neillA Moon for the Misbegotten
Eugene O'Neill
1945
Drama

"HOGAN: What I want to know is, what the hell d'you mean by your contemptible trick of breaking down your fence to entice my poor pigs to take their death in your ice pond?

...HARDER is so flabbergasted by this mad accusation he cannot even sputter." (p. 54)



I've been trying to comb through the play to find more quotes, but I haven't been able to find any that can stand by itself alone. The one above is just for sheer comedic entertainment, when a swindler tries to cheat his way out of damaging a neighbor's property.

It's not to say that O'Neill has a terrible sense of style, quite the contrary. He writes it such that everything flows together seamlessly, it's hard to pick out one thing when everything is amazing. His dialogue (from this play and the prequel, Long Day's Journey Into Night) is straightforward without frilliness. However, it's not boring and so minimalistic like that of Hemingway's. It's explosive and colloquial, full of insults like "liar" and "souse," capturing the angry, argumentative Irish spirit his characters embody. He is a master of crystallizing the drunken stupor, the regret and bitterness.

His descriptions of the characters are always very precise--it's like looking at a photograph. For instance, Josie, the main female protagonist who's detailed as a very tall and black-haired farm girl, is furthered rounded out with these vivid qualities, "She is more powerful than any but an exceptionally strong man, able to do the manual labor of two ordinary men. But there is no mannish quality about her. She is all woman" (p. 5). I love the action descriptors, especially the adverbs! I've never seen a production of any of O'Neill's plays, but it would be really interesting to see how the productions interpret the tone of voice, which is usually indicated very specifically.

One last thing about the style--O'Neill always has really beautiful, poetic titles for his plays, always relevant, never prosaic. The words always some how manage to smoothly roll off the tongue and have a lasting ring: A Moon for the Misbegotten, Long Day's Journey Into Night, Desire Under the Elms, The Iceman Cometh, etc.

In AMftM, there are a lot of direct references to the moon. TBC

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